These are dry times. Summer slips away faster than you can catch it – a dime down the drain. The sky hangs damp and icy today. Across the globe, powerful little men toy with the world’s future like it’s a game of chicken. Hurricanes have ravaged large parts of our earth. Families will suffer the effects for years to come. Terrorists won’t let London sleep.
This planet can get so ugly. So broken. So disordered. So many of our mirrors are shattered.
There is order in beauty. A divine order, I believe, but whatever your theology you can feel it. The affirmation of disparate parts falling into place.
Jennifer Berkenbosch’s Cultivar matters because the world needs beauty today. We need to be reminded that there is goodness. There is a solid bed beneath this wild river.
Last year I sat in a room with a dozen or so others and learned how to set my imagination free with nothing but a pair of scissors and some glue, thanks the the guidance of Edmonton artist Hannah Gelderman. I'm so glad she's returning, armed with her collection of excellent magazines and images, to do it all over again.
You have something to say–why not say it here? Email your blog post idea to dave@bleedingheartart.space and let's chat.
BH: Penny, you are leading a workshop on Altered Books at Bleeding Heart on February 3. For someone who doesn’t know what an Altered Book is (like me, for instance), can you describe an Altered Book?
PT: An Altered book is kind of a cross between sculpture and and multi-media art. It's environmentally friendly because you use old discarded books and transform them into interest artistic statements. There are countless methods involved and they can be as easy or complicated as you like.
You have something to say–why not say it here? Email your blog post idea to dave@bleedingheartart.space and let's chat.
