Sunday afternoon, just home from church, I’m scraping 60 years of crud from a couple dozen old boards. I like to imagine I am redeeming them. Turning ugly into beautiful. Giving these boards a new home as the backdrop to my creative studio. I hope they appreciate how close they were to the dump.
I’ve always loved the look of weathered wood. Rich yellows fade into walnut greys. Knots and grains pop with the accumulated darkening of decades and dirt. These wrinkles and age spots may be my favourite patina.
Later on, at Blue Christmas, we are speaking of grief. Loss. Pain. I think of my boards.
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This room feels darker than the other ones. More silent and spacious and private. I have wrappedthe wire of a paper Monarch butterfly around the smooth tubes of the bedframe at the back of her bed. A tower of origami pagodas that my youngest son has folded to pass the time, sits at a slight angle upon the corner table. To the right of the bed is a big window with a tree filled urban view. On the window ledge are two watercolour wooded landscapes. If she had her choice, I know my mother would have left this world from a deeper wilderness.
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