These are dry times. Summer slips away faster than you can catch it – a dime down the drain. The sky hangs damp and icy today. Across the globe, powerful little men toy with the world’s future like it’s a game of chicken. Hurricanes have ravaged large parts of our earth. Families will suffer the effects for years to come. Terrorists won’t let London sleep.
This planet can get so ugly. So broken. So disordered. So many of our mirrors are shattered.
There is order in beauty. A divine order, I believe, but whatever your theology you can feel it. The affirmation of disparate parts falling into place.
Jennifer Berkenbosch’s Cultivar matters because the world needs beauty today. We need to be reminded that there is goodness. There is a solid bed beneath this wild river.
Last month our gallery walls were every colour in the rainbow, thanks to Borys Tarasenko's bold black brush strokes and your felt pen skills. It was an awesome month. Now we have another show ahead, and there is so much work to show that we absolutely need some nice, quiet walls to start.
I'm hoping you can help.
You have something to say–why not say it here? Email your blog post idea to dave@bleedingheartart.space and let's chat.
Is it a good idea to let people colour all over the walls?
I trust it will be worth it–something in my gut tells me that–but is it wise?
I'm wrestling with this Saturday morning, just before we open Borys Tarasenko's Sweet Jesus at the Bleeding Heart Art Space.
You have something to say–why not say it here? Email your blog post idea to dave@bleedingheartart.space and let's chat.
