Are You an Artist?

Are you an artist?

I am a lot of things. So are you.  

You might be a dog-lover or an avid reader. An extrovert, nature-lover or traveller.

But are you an artist?  

Of course you are. But precious few of us would ever describe ourselves that way.

Maybe you have lovely penmanship or know how to cook a delicious meal. Many of us doodle in the margins and curate the things we hang on our walls. We plant flowers, wear funky glasses or pretty scarves and arrange the knick-knacks on our shelves. Aren’t all of these acts artistic, in some way?

I’m a teacher. Almost all of my elementary school students (especially those under the age of  8) have no qualms about referring to themselves as artists. They can’t list all of the elements of Art, they’ve had no special training, they don’t use fancy brushes or paper, but they believe–no, they know–they are artists. Why does this change? 

Is my art any good? No. And yes. And sort of ... and who cares? Not six-year-olds, that’s for sure.

When do we begin to doubt our abilities as creators?

I think it stems from a fear of being judged not only by others but also, by ourselves. Rated, assessed, critiqued. Is my art any good? No. And yes. And sort of ... and who cares? Not six-year-olds, that’s for sure. But I do and so do you, probably. And somewhere along the way, we start to pass judgement on our own creations, no matter how fun, relaxing or exciting the creating process may have been.

Is judging our art always a bad thing? Maybe not. Maybe it means that we have a vision of where we’d like to see ourselves as artists, but we’re just not quite there. Not yet.  

Maybe the most important thing for the artist within us to do is enjoy the process while we’re in between what we are creating right now, and what we want to become. This place has an important role in teaching us about art and helping us grow as artists.

So I say take that photography class, buy a watercolour set, landscape your yard, start using a calligraphy pen or write that short story. Your inner-critic will see the space between your current piece and your future vision. But the 6-year old inside you will have fun. And they think your work is fabulous. You artist, you.


If you want to hear more about that “in between” place where you are, but your vision is not...check out this piece by Ira Glass called, “The Gap”.

I think it was in the time of spring 2012, when I came across David Shiyang Liu's lovely piece of work about Ira Glass. It was the most inspiring and motivating video I had ever seen in my life. I watched it over and over again, listened to Ira Glass' voice, and told myself, that I am not the only person who is constantly disappointed about the gap between one's taste and one's skills. Later in 2012, I decided to do my own filmed version of Ira's interview - using my own language to tell his message. It took me about a year from concept to upload. I made it for myself and for anybody who is in doubt about his/her creative career. I also think that Ira Glass' message isn't only limited to the creative industry. It can be applied to everyone who starts out in a new environment and is willing to improve. THANK YOU Ira Glass, whom I've never met in real life, but who had such a big influence on my development. Thank you for telling beginners what nobody else does. David Shiyang Liu for the video that inspired me to start the project. You all should watch his awesome kineticTypo-version here: http://vimeo.com/24715531 The people from current.tv who originally recorded the interview with Ira Glass. See the relevant part here: http://www.youtube.com/watch?v=BI23U7U2aUY The people from Magic Lantern who gave DSLR videography a new dimension (I chose this project to be a test run with the RAW plugin)! Steven Sasseville for painting the "taste" painting for me. Pedro Sousa for his advice and working his ass off at the "creative work" chalkboard. Wolfgang Kraus for letting me borrow his sound equipment. Kai Löhnert for working out on his birthday in the "fight" take. Wolfgang Hendrik Schnabel for giving me the museum-like atmosphere and his silhouette in the painting takes. Hermiyas Ötztürk for his hairy "good enough" hand. Orange Hive Studio for light equipment and location. Mima and Heinz Sax-Schmitz for the location of the "ambitions" take and finding me the "finish 1 story" typewriter. Joyce Chen (https://vimeo.com/clownmori), Soufiane Mabrouki (http://vimeo.com/user21466567), Damien Tsenkoff (https://www.behance.net/damtsnkff), Nikita Samutin (www.baselinedesign.ru) and Andrej Mikula (http://amara.org/en/profiles/profile/65015/) for taking the time and patience to create Chinese, Arabic, French, Russian and Slovak subtitles and dissolving language barriers to make even more people understand Ira's words. A SPECIAL THANK YOU Solveig Gold for being the most patient and supporting person in my life. She appears in a lot of scenes in this video. Jutta and Uwe Sax for several pieces of equipment and their support.

This post was submitted by local teacher–and artist–Kerry Donahue. Feel free to share your questions and feedback below.

Want to submit your own piece for the blog? Let's chat.

Banner image from Death To Stock.


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